NO MATTER HOW SCARY LIFE GOT I COULD DEPEND ON YOU
YOU HAD THAT EASY SMILE AND WHITE, WAVY HAIR
YOU WERE MY FAVORITE FATHER FIGURE WITH TWO GUNS BLAZING
NOT EVEN VICTOR JORY COULD STAND UP TO THOSE 44-40'S YOU PACKED
AND THAT STALLION YOU RODE, I THINK HIS NAME WAS TOPPER
HE WAS SO BEAUTIFUL AND WHITE HE EVEN CAME WHEN YOU WHISTLED
I'VE ALWAYS LIKED BLACK AND I LOVED YOUR CLOTHES
BLACK HAT, BLACK PANTS, AND SHIRT
SILVER SPURS AND TWO GUNS IN BLACK HOLSTERS WITH PEARLY-WHITE HANDLES
BLACK AND WHITE, THAT WAS YOU HOPPY
THE BAD MEN FELL THE GOOD GUYS LIVED ON
THE LADIES TOUCHED YOUR HAND BUT NEVER KISSED
WHENEVER JOHN CARRADINE ASKED A QUESTION YOU'D SAY
'THAT COMES UNDER THE HEADING OF MY BUSINESS'
THEN YOU'D CALL FOR ANOTHER SASPARILLA
I BELIEVED IN YOU SO MUCH THAT I'D TAKE MY STETSON
OFF AND PUT IT OVER MY HEART WHENEVER ANYBODY DIED
MY HAT'S OFF TO YOU, HOPPY
SAY GOODBYE TO ALL THE BOYS AT THE BAR-20
THE BLACK AND WHITE DAYS ARE OVER
SO LONG HOPALONG CASSIDY.


©1971 DON McLEAN

 

This poem to Hopalong Cassidy first appeared on the inside record sleeve of the American Pie album, and seemed strangely out of place at the time; I couldn't begin to see what a TV cowboy had to do with Buddy Holly. And I had almost forgotten it through the years, as subsequent reissues of the album had all omitted this dedication. It is only fairly recently—thanks to the Mobil Fidelity Sound Labs re-mastering of American Pie—that I was able to revisit the inner sleeve once again; and suddenly, there it was—black hat, white horse, black holsters, white handles.

Black and white, that was you Hoppy.

An ode to the memory of some TV cowboy no longer seemed the odd irrelevance it once appeared to be: just as television itself was in these years of its infancy a simpler black and white medium, Hoppy too is emblematic of the safer, less complicated black and white values of the 1950s—a hero of homespun virtue, and defender of the way we once saw ourselves. The way we once were.

The black and white days are over.

So long Hopalong Cassidy; bye bye Miss American Pie.

 

 

INTRO | VERSE 1 | CHORUS | VERSE 2 | VERSE 3 | VERSE 4 | VERSE 5 | VERSE 6 | CONCLUSION
THE FIFTIES | THE SIXTIES | 1968 | ALTAMONT | HOPPY | DON McLEAN
ACKNOWLEDGMENT